From Mythical Birth to Iconic Significance – Exploring the Elephant-Headed Deity’s Legends and Symbolism

–An Article by Poojan Patel

 

Shri Ganesha Stotram, Narad Puran

Lord Ganesha, the beloved elephant-headed deity, holds a special place in the hearts of millions across the world. His multifaceted significance, rich symbolism, and captivating legends make him one of the most revered and widely worshiped deities in Hinduism, Buddhism, and Jainism. In this concise feature, we delve into the essence of Lord Ganesha, exploring his origins, iconography, and the profound role he plays in the lives of his devotees.

Origins and Legends

Ganesha’s birth is steeped in captivating mythology. One version tells of how the goddess Parvati while bathing, created Ganesha from oils and ointments mixed with impurities from her body. She brought this figure to life with the sacred waters of the Ganga. In another account, Ganesha is born solely to Parvati, and his origin lies solely with her. Regardless of the narrative, Ganesha is a divine being, born to protect and serve.

 

 

Gaṇeśa, basalt stele 11th century Eastern India

The earliest references to Ganesha in ancient texts reveal his association with Brahma, Brahmanaspati, or Brihaspati, and the concept of knowledge. In this context, Ganesha symbolizes wisdom and the Vedas. His name, “Ganapati,” literally translates to “leader of the ganas” or a collective assembly, reflecting his role in guiding and presiding over various aspects of life.

 

 

Symbolism and Iconography

Gaṇeśa, Tamil Nadu, Nayaka Period 17th/18th century

Ganesha’s imagery is rich in symbolism, reflecting his multifaceted attributes. Typically, he is depicted with an elephant head and a human body. His iconography can vary, with Ganesha often portrayed with four arms, although renditions with two, six, eight, ten, or even sixteen arms exist.

 

 

 

Gaṇeśa Enthroned School of Sanju, Mandi, circa 1800–1820

One of the most prominent symbols associated with Ganesha is his broken tusk. Legend has it that he sacrificed a portion of his tusk to write the Mahabharata as the sage Vyasa dictated it. This act symbolizes Ganesha’s commitment to knowledge and the written word.

 

 

 

Gaṇeśa in all his ornamented glory, at Halebid (ancient Dwarasamudra) in Karnataka; once the capital of the Hoysala dynasty which flourished from about 1100–1350 AD. Invasions by the Delhi Sultanate in the 14th century led to its decline. Richard Banner Oakeley 1856

Ganesha is often depicted holding various objects, including a conch shell, an axe, a rope or noose, and sometimes a trident. Each item symbolizes different aspects of his power and protection, ensuring the removal of obstacles and the attainment of success.

His posture is equally significant. Ganesha is usually shown with one leg on the ground and the other folded up. This stance represents the balance between worldly duties and spiritual growth, emphasizing the need to harmonize materialistic and spiritual pursuits.

The Direction of His Trunk

Watercolor painting of Ganesha, ca. 1775-1800, Guler (India). Source: Brooklyn Museum.

The direction in which Ganesha’s trunk faces holds meaning as well. When his trunk faces left, it represents feminine energy and is associated with a calming presence. This form, known as Vastu Ganesh, is often placed in homes to invoke relaxation and peace.

Conversely, when Ganesha’s trunk faces right, it represents masculine energy and is considered more powerful and aggressive. Worshiping this form, known as Dakshinabhimukhi or Siddhi-Vinayak, is believed to yield quick results but requires stricter religious rituals.

The Remover of Obstacles

Watercolor painting of Shiva, Parvati, Ganesh, and Kartikeya, ca. 20th Century, Pahari School (India). Source: Museum of Fine Arts, Boston.

Ganesha is revered as the “Remover of Obstacles” and the “God of Beginnings.” His role is to protect, bring good luck, and ensure the smooth progress of any endeavor. Devotees invoke his blessings at the beginning of sacred rituals, festivities, and significant life events to ensure success and overcome challenges.

Deriving the Iconography of Ganesha

Copper alloy sculpture of Dancing Ganesh, ca. 16th to 17th century, Karnataka (India). Source: LACMA, Los Angeles.

Historian R. G. Bhandarkar delved into the origins of Ganesha’s worship, challenging the notion that the deity was widely venerated during the Gupta period. According to his research, there is a noticeable absence of mentions in Gupta period inscriptions. Instead, Bhandarkar suggested that the worship of Ganesha likely began much earlier, around the 1st century CE. It emerged as people sought to appease spirits known for causing obstacles in their lives, such as Sala, Usmita, and Devayajana. These troublesome spirits were termed “Vinayakas” and were addressed through various rituals and appeasement practices.

 

 

Bronze with red pigment statute of a Six-Armed Ganesh, ca. 17th century, Nepal. Source: The Art Institute, Chicago.

A. G. Rao’s work on Hindu iconography highlights the diversity of mythological stories surrounding Ganesha’s origin. These stories depict Ganesha as the son of Parvati alone, Shiva alone, both Shiva and Parvati, and even as an independently originating deity known as “Swaymbhu-Surya Vinayaka,” a narrative popular in Nepal. These tales showcase the flexibility of Ganesha’s identity, aligning him with the prominent sects of Shiva and Shakti, as well as with the Vaishnavism sect through his association with Krishna.

 

 

 

Watercolor painting of Adoration of Five-headed Ganesh, ca. 1955, Orissa (India). Source: San Diego Museum of Art, San Diego.

The iconography of Ganesha has evolved over time, drawing from various sources and mythologies. Some theories suggest that Ganesha’s image was influenced by the Yaksha and Naga divinities, which contributed to his distinctive appearance. His association with different sects of Hinduism, including Shiva and Shakti, demonstrates his adaptability and universality.

From its early origins in terracotta and stone sculptures to its refined and embellished forms in later texts, Ganesha’s image has continuously evolved. The depiction of Ganesha with a pot of sweets, often associated with him today, emerged in early iconography around the 1st century CE.

Terracotta sculpture of Ganesh with the trunk facing left, ca. 14th century, Eastern Java (Indonesia). Source: LACMA, Los Angeles.

Ganesha’s popularity extends beyond India, with images and statues found in various Southeast Asian countries. In India, there were once six subdivisions under the Ganapatya sect, each worshiping a different form of Ganesha, highlighting the deity’s diverse manifestations.

In conclusion, Lord Ganesha is more than just a deity; he is a symbol of wisdom, protection, and triumph over obstacles. His multifaceted character and rich iconography reflect the depth of his significance in Hinduism and its associated traditions. Ganesha’s timeless appeal continues to unite people in their pursuit of knowledge, success, and spiritual growth.

 

Ganesha, Gupta period, Mathura museum, photo from wiki
Stone sculpture of Ganesh seated on a Lion Throne, ca. 10th Century, India. Source; The Met, New York.
Bronze sculpture of Ganesh, ca. 15th Century, Thailand. Source: The Met, New York.
Wooden Ganesha on a lintel in the Tripurasundari temple Naggar, HP
A 5th c. CE marble Ganesha from Gardez, Afghanistan. (present location of the murti is unknown). The inscription reads that this “great and beautiful image of Mahāvināyaka” was consecrated by the Shahi King Khingala” – Photograph and details of inscription: Dhavalikar, M.K., “Gaņeśa: Myth and Reality”, in: Brown 1991, pp. 50, 63. It’s the same period as that of Gupta dynasty.
Ganesha, Gupta period, Mathura museum, photo from wiki
Red sandstone Ganesha, late 3rd c.. CE , early Gupta. photo from the Christies
Standing Ganesha with two Gana attendants. Kabul museum. Source: Y. Krishan, The Origins of Ganesha.
Ganesha, Samalaji, Gujarat, 5th century CE. (photo from internet)
Ganesha, late 7th–8th century Central Vietnam, Sandstone. the Cham styled standing Ganesha from MIson depicts the god a s well fed householder or a businessman. According to Rene Grousset the sculpture is directly inspired by Pallava India. The Metropolitan Museum of Art, New York,

 

Vibhuti Pathak

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