– A review written by Shivani Gadre
Paheli, a 2005 fantasy film, is a remake of the 1973 Hindi film “Duvidha” directed by Mani Kaul, which, in turn, is based on the short story penned by Vijayadan Detha in Rajasthani. Additionally, it is said to draw partial inspiration from the 1997 Kannada movie “Nagamandala,” adapted from the play of the same name by Girish Karnad. Helmed by Amol Palekar and produced by Juhi Chawla, Aziz Mirza, Sanjiv Chawla, and Shah Rukh Khan, who also takes on the male lead role, the film narrates the tale of a wife (Rani Mukerji) whose husband (Shah Rukh Khan) embarks on a business trip. During his absence, she encounters a ghost who assumes the guise of her husband, professing love and captivating Lachchi with his stories and understanding. This unlikely companionship blossoms into a love story tinged with the bittersweet knowledge of its impossibility. This storyline, rooted in folklore, was earlier brought to cinematic life in the 1973 film directed by Mani Kaul.
“Paheli” is more than just a visually stunning ode to Rajasthani culture. It’s a story that unfolds like a delicate desert bloom, exploring themes of love, self-discovery, and the courage to choose one’s own path. “Paheli” sparks important conversations about consent, societal expectations, and the power of female agency. The ghost’s insistence on truthfulness, even at the risk of losing Lachchi, becomes a powerful statement about respecting boundaries and honoring free will.
What transpires is an enchanting interplay between reality and illusion. The spirit, revealed to be a whimsical ghost, openly declares his love for Lachchi and implores her to accept him as her companion. This unorthodox proposal compels Lachchi to confront societal expectations and her own yearning for companionship. The film adeptly steers clear of portraying the ghost’s presence as inherently negative. Instead, it accentuates his warmth, understanding, and genuine affection for Lachchi, creating a moral ambiguity that keeps the audience captivated.
Several moments resonate deeply, leaving viewers with lingering questions and reflections. The poignant scene where Lachchi confesses, “I never knew I had a choice,” compresses the struggles women face in a world often defined by external forces. Her subsequent decision to defy societal norms and choose love over societal pressures stands as a testament to her newfound strength.
The film also reminds us of the complex dynamics within families. The women in Lachchi’s household offer a heartwarming portrayal of solidarity and unwavering support, highlighting the vital role they play in a patriarchal society. This theme speaks to the importance of finding strength in community, even as we navigate individual aspirations.
Paheli’s brilliance resides in its examination of the female condition within a patriarchal society. Lachchi, initially reserved and submissive, flourishes under the ghost’s attention. She uncovers her voice, her desires, and her capacity for independent thought. The film subtly challenges traditional gender roles, suggesting that a woman’s happiness and fulfillment shouldn’t solely hinge on a husband’s presence.
“Paheli” is a film ahead of its time. It celebrates female characters who are assertive, independent, and unafraid to challenge the status quo. It’s a love story that transcends the mundane, urging us to reconsider societal constraints and redefine what it means to live authentically.
While the film might not offer definitive answers, it leaves a lasting impression. “Paheli” is a cinematic poem, prompting introspection and inviting viewers to engage with its themes on a personal level. It’s a film that stays with you long after the credits roll, urging you to reconsider the choices you make, the expectations you carry, and the power you hold to reshape your own narrative.
